伝統画風を極め、ステンドグラスなど独自の作風も魅力の糠川孝之氏による絵付けのワイングラス。 本品では、吉田屋風の大胆な構図と色彩をお楽しみいただけます。 【吉田屋（よしだや）画風】 吉田屋画風は、九谷焼の中でも特に広く認知されている人気画風です。 元々は、加賀大聖寺の豪商・豊田伝右衛門が文政7年（1824）に開いた「吉田屋窯」で描かれた様式です。 古九谷の「青手」に倣い、赤を用いず、青（緑）・黄・紫・紺青の四彩で描かれるのが特徴です。 吉田屋窯は再興九谷の諸窯の中でも最も名声があり、僅か７年という短期間で閉じられた窯でありながらも、後の九谷焼に大きな影響を与え続けています。 This wine glass is painted by Takayuki Nukagawa, who has mastered the traditional painting style and whose unique style, including stained glass, is also attractive. In this product, you can enjoy the bold composition and colors of the Yoshidaya style. Yoshidaya style The Yoshidaya style is one of the most widely recognized and popular styles of Kutaniyaki. It was originally created at the Yoshidaya Kiln, which was opened in 1824 by Toyoda Den'emon, a wealthy merchant from Daishoji, Kaga. Following the “Aote” style of Old Kutani, it is characterized by the use of four colors: blue (green), yellow, purple, and dark blue, instead of red. Yoshidaya Kiln is the most prestigious of the revived Kutani kilns, and although it was closed for only seven years, it continues to have a great influence on later Kutani-yaki.

伝統画風を極め、ステンドグラスなど独自の作風も魅力の糠川孝之氏による絵付けのワイングラス。 本品では、吉田屋風の大胆な構図と色彩をお楽しみいただけます。 【吉田屋（よしだや）画風】 吉田屋画風は、九谷焼の中でも特に広く認知されている人気画風です。 元々は、加賀大聖寺の豪商・豊田伝右衛門が文政7年（1824）に開いた「吉田屋窯」で描かれた様式です。 古九谷の「青手」に倣い、赤を用いず、青（緑）・黄・紫・紺青の四彩で描かれるのが特徴です。 吉田屋窯は再興九谷の諸窯の中でも最も名声があり、僅か７年という短期間で閉じられた窯でありながらも、後の九谷焼に大きな影響を与え続けています。 This wine glass is painted by Takayuki Nukagawa, who has mastered the traditional painting style and whose unique style, including stained glass, is also attractive. In this product, you can enjoy the bold composition and colors of the Yoshidaya style. Yoshidaya style The Yoshidaya style is one of the most widely recognized and popular styles of Kutaniyaki. It was originally created at the Yoshidaya Kiln, which was opened in 1824 by Toyoda Den'emon, a wealthy merchant from Daishoji, Kaga. Following the “Aote” style of Old Kutani, it is characterized by the use of four colors: blue (green), yellow, purple, and dark blue, instead of red. Yoshidaya Kiln is the most prestigious of the revived Kutani kilns, and although it was closed for only seven years, it continues to have a great influence on later Kutani-yaki.

ダイナミックな動き、ニヤリと笑う口と見開いた眼、表情からも覇気が伝わる風神です。 巻き起こされる風の流れまでも感じられるような描写は、高聡文氏の繊細な技術があってこそ。風神の深い緑色の肌、朱や黄の鮮やかな着物の日本伝統の色遣い、そのコントラストにも注目です。 洗練された輝きを放つ金色の地が、勇ましい風神をより豪壮に引き立てています。金彩雷神のグラスとペアで、贈り物にいかがでしょうか。 The dynamic movements, grinning mouth and wide-open eyes, and facial expressions of this wind god convey a sense of supremacy. The depiction of the wind god, in which one can even feel the flow of the wind, is the result of the delicate technique of Mr. Satowumi Koh. The contrast between the deep green skin of the wind god and the vivid vermilion and yellow of his kimono, a traditional Japanese color scheme, is also noteworthy. The gold ground, with its refined brilliance, enhances the heroic Wind God in a more grandiose manner. Pair it with the Gilded God of Thunder glass to make a perfect gift.

下界に向かって雷を落とす一瞬を切り取ったような、ダイナミックな構えの勇壮な雷神です。 多様な画風を得意とする高聡文氏ならではの表現力の高さが随所に散りばめられています。金を吹き付け、雷の文様が描かれたステムにもこだわりが感じられます。 It is a heroic god of thunder in a dynamic stance, as if the moment when he strikes lightning down toward the earth below has been captured. The high level of expression characteristic of Mr. Satowumi Koh, who excels in a variety of painting styles, is scattered throughout the work. The gold-sprayed stem with a lightning pattern also shows his attention to detail.

九谷焼作家の谷敷正人氏により描かれた桜がモチーフのデザインです。 情熱的な赤の地色に、流れるように絶妙なバランスでちりばめられた優美な桜の花。白みを帯びている満開の花々が、とても上品な印象です。 The design features cherry blossoms painted by Kutani Yaki artist Masato Tanishiki. The passionate red ground color is interspersed with graceful cherry blossoms that flow in an exquisite balance. The whitish flowers in full bloom give a very elegant impression.

琳派や茶道、能楽、文学を基盤とした叙情の世界が魅力の加賀雅人窯（谷敷正人氏）による絵付けのワイングラス。 絶妙なバランスで散りばめられた桜の花は、ひとつひとつ存在感があります These wineglasses are painted by Kaga Masato Kiln (Masato Tanishiki), whose world of lyricism is based on the Rimpa school, tea ceremony, Noh drama, and literature. The exquisitely balanced cherry blossoms are scattered one by one, each with its own unique presence.